Why Writing a Spec Screenplay Is a Game-Changer: Understanding the Difference Between Spec and Ordered Scripts

When I first began screenwriting, I heard the same advice over and over: “Write spec scripts if you want to break into the industry.” At first, I didn’t understand why. But after completing six feature-length spec screenplays—and still actively seeking representation from a literary agent—I now fully grasp the value of spec work in establishing yourself as a serious writer.

Spec scripts don’t just showcase your voice and structure—they reveal your ability to build a world, write compelling characters, and finish what you start. They are the calling cards that can open doors to studios, producers, and reps. But to navigate this world effectively, you also need to understand how spec screenplays differ from ordered screenplays—because the industry treats them very differently.

WHAT IS A SPEC SCREENPLAY?

A spec (speculative) screenplay is a script written on your own initiative, without a contract or upfront payment.

✅ You choose the story, genre, and structure

✅ No one is paying you—yet

✅ You’re hoping to sell it, use it as a writing sample, or attract representation

✅ It demonstrates your raw ability to execute a complete, professional-level script

Spec scripts are how most screenwriters get discovered. It’s your creative playground and your professional portfolio all in one.

WHAT IS AN ORDERED SCREENPLAY?

An ordered screenplay, also called a commissioned or assignment script, is a project that has been officially requested and paid for by someone in the industry.

✅ You’re hired by a producer, studio, or director to write a script based on their idea or property

✅ The work is done under a contract, often with deadlines and specific guidelines

✅ You may have less creative control, but more financial security

✅ Typically reserved for writers with a proven track record or agency representation

These are the kinds of jobs you get after your spec work has proven your capabilities.

KEY DIFFERENCES BETWEEN SPEC AND ORDERED SCRIPTS

✅ Ownership: With a spec, you own the script until you sell it. With an ordered script, the producer or studio owns the material.

✅ Creative Freedom: Specs give you full creative control. Ordered scripts are guided by someone else's vision.

✅ Risk vs. Reward: Specs are high-risk, high-reward—you may never sell it, but if you do, it can launch your career. Ordered scripts are lower risk with guaranteed payment.

✅ Entry Point: Spec scripts are often the first step for unrepresented writers. Ordered scripts usually come after you've established yourself.

WHY I KEEP WRITING SPEC SCRIPTS

Despite the challenges, I continue writing spec scripts because:

✅ They reflect my personal voice and storytelling style

✅ They show potential agents and managers what I’m capable of

✅ They open doors to writing assignments and industry conversations

✅ They help me refine my craft with each draft

So far, I’ve completed six feature-length spec screenplays across different genres. I’m currently looking for an agent or manager who believes in my work and can help get these stories into the right hands.

FINAL THOUGHTS

Understanding the difference between a spec screenplay and an ordered screenplay isn’t just about semantics—it’s about knowing where you are in your journey and where you want to go next.

If you’re starting out, write your specs with passion and discipline. They are your greatest assets. And if you’re ready for the next level, aim for those assignments—but remember, it’s your specs that will get you in the door.